How have audiences' roles changed throughout history?. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences?. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience. I don't understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. 'Actors always talk about what the audience does. And mythological thinking is retained in artistic creation and becomes various figures of speech which are still in use now. Human modes of thinking experience a gradual evolutionary process from primitive thinking to mythological thinking and then to abstract thinking. It also proves that the two-way motion ("concrete to abstract ←→ abstract to concrete") of thinking occurs at all times. It's not the case that labor creates human beings or language, but that labor, language and writing mark the developmental level of thinking. The developmental process of thinking proves that thinking is undoubtedly prior to each conscious action. their relation by means of studying babies' and aborigines' thinking methods and animals' cognition of symbols. Since it's impossible for us to go back to the ancient times, what we can do is to examine the occurrence of thinking and symbols and. But before discussing artistic thinking, we find it necessary to investigate the origin of thinking and its relation with symbols. This paper is part of Chapter One "The Origin of Art and Artistic Thinking" in the book An Introduction to the Logic of NarrativeArt.
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